All passwords gone.

I’ve been spending a lot of time re-compressing rips and replacing the old rips on the 4shared servers.

All files should now extract without password requirements.

Since 4share introduced a new 200 MB max limit on files you won’t have to deal with split archives anymore as long as the files are smaller than 200 MB.

If you still are experiencing problems, make sure your application for extracting files is the newest possible version. for more info, read here:

http://techtech2009.wordpress.com/howto-open-files/

If you can’t extract then it’s your gear that is wack, not the files.

During compressing files some of them might miss a track or so. Some serious bug happened with my usual application for stuffing rips since it doesn’t seem to be all too compatible with my system upgrade so all tracks aren’t neccessary in the zip-file. Make sure they match the tracklisting in the blog post. This applies to all files previous to 29th of September.

I’ve gone through most of the files but could have missed one or two.

Acido Amigo – 1988 |Westside Rec]

After looking for this compilation in my collection for more than two months, it showed up in a place I forgot to look, in one of my old record cases. I was soo happy when I finally found it!

For an acid house compilation in 1988 this collection of tracks was way ahead of its time. There’s a mixture of tracks from both Chicago producers as well as anonymous European counterparts. All, except for Humanoid, of the European producers are unknown. The sound of those tracks reveal that they might be by one and the same producer.
Some of the Chicago trax, like one of Tyree’s tracks and both of Fast Eddie’s has been released on their respective albums. The mixes of those tracks might have slightly different mixes, exclusive for this compilation. Someone understood this and (probably) used tracks from the incredibly expensive CD version (50 Euros and up!) of this album and pressed a bootleg earlier this year, 2009, with three tracks from the compilation. I’ve got it but can’t compare them since I’m not at home when writing this. I might do a rip of the bootleg later on as well even if it’s kind of overkill.
There’s many of the tracks on the album that hasn’t been released anywhere else, except for the bootleg that is.

There’s so many fine tracks on this compilation that there’s so many to write about in detail that it would become a super long post so I’ll try and not to write too much about it. There is however one track in particular that’s very rare and that is Jack Rabbit Martin’s “Only Want To Be”. The limited promo 12″ (promo for the Acido Amigo comp.) on this track is for sale on discogs for $299.99 and the first occurrence of that track is on Yoton records and it’s for sale for £370.00. -That’s rarity for ya! No wonder since it’s a great piece of music.

When it comes to the rip I have to admit that the sound isn’t perfect on many tracks. The output is a bit higher than many compilations but I guess the mastering for vinyl pressing wasn’t done very well. Sometimes the stereo spectrum is a bit strange on some tracks and on some other tracks the pressing can’t keep some high frequencies without distortion. I guess they tried to squeeze in too much volume in too many tracks per side. There are well done records with four tracks per side with great output so in this case they didn’t master the tracks well enough for this release.

I did change the EQ on Cool House’s “Rock This Party Right” since the sound is very muffled and I increased the the high frequency spectrum as much as I could without creating S-ing distortion.

There’s a follow-up to this release in the form of “Son Of Acido”, released in 1989. More on that in a later post.

I have to say that I love this bunch of great acid house tracks and has done so since I bought it back in 1988 and was happy for weeks and played it constantly during that time.

Buy a vinyl copy of this release by clicking HERE

Acido Amigo <—-click here for audio

No Password

A1     The DJ Fast Eddie  -       Ain’t It Funky
A2     Sandoz  -                      I Can’t Take The Heartbreak
A3     Tyree  -                        Night Of Acid
A4     Nimrod  -                     Acid Haze
B1     Humanoid  -                  Cry Baby
B2     The DJ Fast Eddie  -       Clap Your Hands
B3     Cool House  -                Rock This Party Right
B4     Candyman  -                  Slave Acid Bitch
C1     Humanoid  -                  Stakker Humanoid
C2     Paisley Sq.  -                  Transitional Phase
C3     Gentry Ice  -                   Utilize The Beat
C4     Methadrine  -                 Ah!
D1     Jack Rabbit Martin  -       Only Want To Be
D2     Tyree  -                         Oh Yeah, No Hey
D3     Nouveaux Nation  -         Too Deep
D4     Cosmic Blast  -                Atomic

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The Mover – Frontal Sickness Part 2 – 1992 [Planet Core Productions]

Marc Trauner is one of the great names of Germany’s electronic dance scene. He has always been pushing boundaries and has developed a unique sound of his own. Since I still haven’t found my copy of Part 1 in the Frontal Sickness series you have to settle with this one in the meantime.
The Mover’s sound and music is dark and moody at the same time as he’s creating beautiful soundscapes and still keep the music on a dance floor level.

All of the tracks are great but if I had to pick the top tune I would pick the last one “Invite The Fear”. It’s sooo beautiful!
The outings in this series of records is hard to find and if you find it then be prepared to pay big bucks.
I understand why it’s so hunted because his music is very good and it’s quality all over the place.

Buy a vinyl copy of this release by clicking HERE

The Mover – Frontal Sickness Part 2 <—-click here for audio

No Password

A1           Illuminated
A2           Body Snatchers (Impaler – First Mix)
B1           Astral Demons
B2           Invite The Fear

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Dancer – Boom-Boom – 1987 – [Trax]

The Chicago house music scene include some very odd tracks. “Boom-Boom” is one of those. It’s experimental electronic house  and the sounds and structures is very raw. By the sound of the pressing you sometimes hear that it was mastered from a bad cassette tape copy. But that was the way it was back then and many couldn’t afford expensive reel to reel equipment and since the first DAT tape recorders was introduced the same year as this record I guess they cost a fortune to buy.
I’ve loved “Boom-Boom” ever since 1989 (When I bought the Frankie Knuckles compilation where it was included) and when I got the chance to buy a second hand copy of this track in 1990, I didn’t hesitate.
Frankie Knuckles was assisting in the recording of this track and the b-side track, “Am A Dog”.
I’ve never been that interested in  that b-side track and still isn’t.
But the full version of “Boom-Boom” is enough for me to love this record.

Buy a vinyl copy of this release by clicking HERE

Dancer – Boom-Boom <—-click here for audio

No Password

A           Boom-Boom
B           Am A Dog

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Equinox – Pulzar / 4-Nox – 1992 [Vortex Rec.]

One hell of a great acid techno record from 1992 with New York’s finest, Damon Wild and Repete, was released on the Vortex label. It’s hard and it’s without compromises. This is hard action techno packed with electronic noises and acid sounds and its manic drum programming drives the tracks further and further.
“Pulzar” can only be compared with Final Exposure’s “Vortex”  from the year before. The manic drum crashes is reminiscent of both Richie Hawtin’s early work on Plus 8/Probe and early UR stuff and it used to fit just fine together with those tracks.
The ravesignal of “4-Nox” pump the track with an analogue modulation sound that twists and turns and the mood is very ominous and the action is manic as fuck.
Even the calmest of these three tracks, “Surveyor 3″, is an action stormer. This is one of the top five acid techno tracks from 1992. It’s up there together with Colone’s Acid Science Trax, 303 Nation and Acid Junkies stuff from this year. I used to mix all of the above mentioned artist’s tracks together with this one and it still is one of the best periods of acid techno ever.

When this record was marketed it was listed on the distributors lists as “Pulzar / 4-Nox”. That’s why I didn’t print it the same way as the listing on the discogs site do.

Back then I also bought the Jeff Mills mixes of “Pulzar” but didn’t keep the record for more than a year since I didn’t think the remixes was that good.
A record that is this good don’t need remixes. All three tracks are fabulous!

Buy a vinyl copy of this release by clicking HERE

Equinox – Pulzar / 4-Nox <—-click here for audio

No Password

A1         Pulzar
A2         4-Nox
B           Surveyor 3

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Party Crashers – Vol. 1 – 1993 [Acacia Rec.]

It feels a bit odd when you think of the fact that one of the guys in this act is Felix, the guy that had a mega hit with “Don’t You Want Me” in 1992. Francis Wright (aka Felix) and Kenny C is Party Crashers.

They present a spanking nice couple of techno and techno house tracks on this record.
The original mix of “Get Picked Up” is very nice but for the most part I had most use for Kelli Hand’s remix of it. It’s an pumping and exciting mix with raw and nice sounds and excellent breaks. The original is fine too for use in uptempo techno house sessions when you want to soften up the mix a bit.

The original mix on “Work Your Ass” grooves along nice and the 12″ Long Mix is more dramatic and more into stomping ghetto style house.

Buy a vinyl copy of this release by clicking HERE

Party Crashers – Vol. 1 <—-click here for audio

No Password

A1           Get Picked Up (Original)
A2           Get Picked Up (K. Hand Remix)
B1           Work Your Ass (Original)
B2           Work Your Ass (12″ Long Mix)

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House Master Baldwin Featuring Paris Grey – Don’t Lead Me – 1987 [Future Sound R & R Rec.]

This is one of the records that Paris Grey participated on before she became a member of Kevin Sunderson’s Inner City.
The music is calm in an acid house and deep house style with lyrics sang by Paris in her typical singing style.
There’s three mixes of this track with Terry Baldwin’s “Medusa’s House Mix” as the preferred track.

Buy a vinyl copy of this release by clicking HERE

House Master Baldwin Featuring Paris Grey – Don’t Lead Me <—-click here for audio

No Password

A             Don’t Lead Me (Medusa’s House Mix)
B1           Don’t Lead Me (Radio)
B2           Don’t Lead Me (Dub)

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Tekno Too – Jet-Star – 1991 [D-Zone Rec.]

The concept of making rave tracks in a hard-to-soft method was made famous by Bizarre Inc’s “Playing With Knives”. Many other followed during 1991 and for a while many british records were done this way. One of the more successful of them is this one. It became a big hit during 1991 with its melodic synth stabs and use of the method described above. It even sampled Bizarre Inc’s hit in some parts.

On a personal note I would have preferred a mix without the piano breakdown and female wailing. I like the breakbeats and the synth stabs but It’s still a nice record.

This great rave hit comes in three different mixes.

Buy a vinyl copy of this release by clicking HERE

Tekno Too – Jet-Star <—-click here for audio

No Password

A             Jet-Star
AA1         Jet-Star (Live From Essex Mix)
AA2         Jet-Star (6 A.M. Mix)

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Intensive Care Unit – Brain – 1993 [T&B Vinyl, Pi Rec.]

Experimental abstract industrial ambient introduce this record on Scottish label Pi Recordings, the dj duo Twitch & Brainstorm’s label, on the track “Brain”. It’s very intense and an exciting atmosphere with lots of electronic noises and drones.
Second track is the techno hit on the EP. “E.S.T.” brings us an industrial pounding bass drum which is interrupted by a heavy metal guitarr riff and booming bass and the track travels forward into a mayhem of bleeps and squeling sound bursts. An excellent and unique techno track. I remember using this track often as an intro when entering the decks. It was very useful to mark the presence of my arrival at the mixer and shape the music in a different way than the previous dj. It’s a bit hard to mix out of so I had to be prepared with another track after it. There was no time for pondering there.
The last track is an electronic breaks track for those more relaxed moments.

Buy a vinyl copy of this release by clicking HERE

Intensive Care Unit – Brain <—-click here for audio

No Password

A             Brain
B1           E.S.T.
B2           Voyager

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Cyclone – The Sonic Cycology – 1991 [Network]

Cyclone aka Geoff Hibbert already had a nice release with “A Place Called Bliss” which I failed to get on vinyl release.
Still, this release is also a good one. “Stream” is a nice melodic tune with a good lead stab sound and fine string works. It feels very comforting listening to it. It’s somehow a bit melancholic and happy at the same time. “Beautiful Minds” is a bassheavy chilled house track strolling along with the piano and the bassline. “Internal Memory” is a bleep’n'bass techno track that fits perfectly into the style’s shortlived era of heavy sub bass melodies. Since I missed the “A Place Called Bliss” 12″ then I’ll had to settle with the “A Place Called Bliss (Demo Mix)”. It’s like a track that travels throgh music and makes stops at several stations that’s made up of samples from other tracks, like the breakbeat from Nexus 21, sound from Kraftwerk, sound from Boney M’s “Ma Baker” and more. The bassline probably stolen from the garage house track Robin S “Show Me Love”

All in all a kind of cosy listening tracks rather than dance floor material.

Network records had a very varied range of styles in their output. From serious Detroit techno to cheezy euro house. The irony of it is that the more mainstream they became the closer to the ending of the label they came. Neil Rushton understood early on that the music called techno out of Detroit was going to be important and licensed many Detroit releases and even released exclusive stuff for the label. He also understood that labels like Nu Groove and Murk records would matter and he helped market both the Network licenses and put the labels on the map. Therefore I was very disappointed that release like the euro cheeze K.W.S – “Please Don’t Go” was released and from there it went downhill which was sad because this is an important label.

Buy a vinyl copy of this release by clicking HERE

Cyclone – The Sonic Cycology <—-click here for audio

No Password

A1           Stream
A2           Beautiful Minds
B1           Internal Memory
B2           A Place Called Bliss (Demo Mix)

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Eddie Flashin Fowlkes – Inequality – 1991 [430 West]

Detroit legend Eddie “Flashin’” Fowlkes released this in 1991 on the 430 West label. I thought it was a very exciting release with a spooky feel. Together with Vice’s “Survival Instinct” ep and several Underground Resistance records made up a favourite bunch of records that I liked spinning in 1991. For many people in the audience they seemed a bit hard since they often prefered to hear the more euro rave stuff.

This EP has four tracks of weird techno even for Detroit standards. Eddie explored new sounds with many dissonant frequencies in the music. He must have been doing the tracks on purpose with sounds in the channels that’s kind of off centre sometimes. Perhaps this EP need a remastering if he still have the master tapes left.
Several of the tracks has a kind of whining mood to them.

Whether you like this record or not depends on the mood you’re in when you listen to it. Please use an open mind when listening to the tracks because they are different to many other tracks from 1991 and they are headstrong but very nice.

My favorite track here is “Understand The Groove”, a somewhat detroitish techno house track.

Buy a vinyl copy of this release by clicking HERE

Eddie Flashin Fowlkes – Inequality <—-click here for audio

No Password

A1           Liquid Disaster
A2           Electricity
B1           Understand The Groove
B2           Modulator

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Tune – Change The Beat – 1991 [R&S]

From the same period that made him famous as Speedy J, Jochem Paap released a record for the R&S label with the same beauty as his Plus 8 outings. The Dutch interpretation of Detroit techno with more drive is often very good. This is proven by Jochem and a bunch of other Dutch producers.

The best track of all these fine tracks is “Extra Sensory” which has a nice string led soundtrack with orchestral arrangements.
This is one of the finest moments in the R&S label’s catalogue.

Buy a vinyl copy of this release by clicking HERE

Tune – Change The Beat <—-click here for audio

No Password

A1         Change The Beat
A2         Tonight
B           Extra Sensory

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Love Inc. – Do You Feel Love – 1991 [Trance Atlantic]

The track that matters on this release is the first in a series of versions of “Trance Atlantic Excess”. The first release from Mike Ink’s Love Inc. alias is a sub bass techno house experience that feels a bit stiff at first. Please remember this is an early release from Mr. Voigt.

I guess he was influenced by the british bleep and bass scene from 1989/90 when he did “Do You Feel Love”. A melodic deep sub bass is dominating this techno house track which is very compatible with artists like Nightmare on Wax’s “A Case Of Funk” and early LFO and many more from the bleep’n'bass era of 89-91.
“Do It” is more familiar to fans of Mike Ink’s monotone acid-fuelled style which had a rhythm and style which he explored for years after this one. For some reason, Cube 40 springs to mind when I hear the sample “Do it” in the track.
And finally we arrive at “Trance Atlantic Excess”. This first version of the track with a neverending melody is composed with a modulated analogue sound which bends and shifts all over the tracks duratuon. This is pure trancy techno without the genre trance in it. It’s still very techno. Later versions of the track was released on Force Inc. Music Works and for every version, more and more acid is inserted in the track.
-A classic beautiful techno track which many people haven’t heard.

Buy a vinyl copy of this release by clicking HERE

Love Inc. – Do You Feel Love <—-click here for audio

No Password

A1         Do You Feel Love
A2         Do It
B           Trance Atlantic Excess

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Kicksquad – Soundclash (Champion Sound) – 1990 [Kickin']

A duo of Kevin Elliot Ford & Phivos Sebastiane did this bleeping hybrid of techno and breakbeats that stormed the charts in 1990 and well into 1991. Kevin Elliot had a couple of whitelabels out before this one but this record was the first properly release for both of the guys. Kevin Elliot later developed a strong underground sucess as DJ Hype and has since continued his releases up until today under this name. Phivos Sebastiane also had a nickname, The Scientist, and had a solo career for a couple of years with several successful chart hits. Later he switched to the techno/tech house outfit Pure Science and has continued since and released his last outing this same month on Ifidota Music.

It comes in three mixes but the first one is still the best.
It might seem a bit semi mainstream but this record brings memories and still has cred in my book.

Buy a vinyl copy of this release by clicking HERE

Kicksquad – Soundclash (Champion Sound) <—-click here for audio

No Password

A             Soundclash (Champion Sound) (Hypermix)
B1           Soundclash (Champion Sound) (Scientific Mix)
B2           Soundclash (Champion Sound) (DJ Mix)

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4 Slots For Bill – Focus – 1990 [ Jelly Jam]

Another alias for Luke Slater and studio-mate Alan Sage, 4 Slots For Bill. They present two tracks with the same name but with different mixes. This is breaky techno with noisy wave stabs, acid inserts, bleeps and a sample that repeats in the background with its ominous dark moanings. While the a-side has more drive, the b-side is more bass-heavy with its deeper sub bass.

Buy a vinyl copy of this release by clicking HERE

4 Slots For Bill – Focus <—-click here for audio

No Password

A             Focus
AA           Focus

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Virgo Four – Do You Know Who You Are? – 1989 [Trax]

In 1989 there was only Larry Heard that was good enough to be compared to this release, when it came to deep house. The music is beautiful and calm but still pumping at the same time. You have all the chicago house ingredients distilled here into a deep sound journey.
“Do You Know Who You Are?” was later released in a vocal and instrumental version and stuffed with some other tracks on UK’s Radical records. The vocal version was the first one I heard. It was included on a compilation in the Deep Heat series in 1989. When I found this for sale in a second hand vinyl shop the same year, I immediately bought it. I was a bit disappointed over the fact that the version I got was instrumental since I heard the vocal version first. I let the record gather dust for several years after that until I found it again in my collection. That was a pleasant surprise and I have ever since been grateful for my accidental purchase.

This is one of Chicago’s best deep house records from 1989 so be sure to get a copy of your own!

**EDIT**: It just so happen that my colleague over at the Friendsound-blog coincidentally did a post two days after my post with the album from Virgo Four, which includes these four tracks as well as tracks from the other 12″ Virgo Four released on Trax.

-Check the post here: http://friendsound.wordpress.com/2009/12/01/virgo-virgo/ ****

Buy a vinyl copy of this release by clicking HERE

Virgo Four – Do You Know Who You Are? <—-click here for audio

No Password

A1           Do You Know Who You Are?
A2           In A Vision
B1           Going Thru Life
B2           Take Me Higher

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Psychick Warriors Ov Gaia – Obsidian (Organically Decomposed) – 1992 [KK Rec.]

Here’s the mysterious group that were experts in combining ambient, techno and tribal rhythms during the early nineties.
Sometimes they also had a trancy touch but without going all cheezy. Samples from various druggy philosophers from 1960’s counterculture was often inserted in some of the recordings.

I used to like them because they could do very hypnotic tracks with very few elements and they definitely had a sound of their own. Even their beatless tracks was great without going all silly on us like many ambient equivalents so often did.

The main track on this record, “Obsidian (Deconstructure)”, is an absolute masterpiece. Despite its monotone rhythms it takes you for a vibrating trip through 20 minutes plus and it never gets boring. Most of the track is beatless and right before it gets a beat in the last part of the track, it sounds like it’s something wrong with the recording. Not to worry. That’s how it sounds on the vinyl. Samples from Timothy Leary is smoothly layered under the music at different parts of the track.
The machine rhythmic track “Patience (First Step)” is a minimal techno track with a funky beat and dubby inserts here and there.
Last track on the record is a sweet techno track with smooth strings and repetitive sounds. The sounds sits just right and creates some kind of tension and after the break at 3.30 brings us some analogue modulated sounds for your pleasure.
At 7.31, the track is getting some kind of glitchy anomaly. It’s caused by something on my vinyl. I don’t know whether it jumps or not. All I know is that the rhythm of the track is unharmed.

Buy a vinyl copy of this release by clicking HERE

Psychick Warriors Ov Gaia – Obsidian (Organically Decomposed) <—-click here for audio

No Password

A             Obsidian (Deconstructure)
B1           Patience (First Step)
B2           Challenge (Kala Mix)

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Jim Clarke – Qualification – 1992 [Overdrive]

After hours of hard pumping techno and acid techno at a club or a party in 1992, the moments when the music started to soften up was magic. In many cases the steady stream of music shifted form through tracks like Jim Clarke’s “Qualification”.

Here’s four different mixes. I used to use the fourth mix since it’s the most minimal of them.

One of the tracks got onto a 3LUX video feature and therefore also often got to be played on european MTV Party Zone on weekend nights.
Later releases from this group, the name wasn’t a name for a person, went more into silly trance sadly so I lost interest in the later releases from this artist.

Buy a vinyl copy of this release by clicking HERE

Jim Clarke – Qualification <—-click here for audio

No Password

A1           Round 1 (Trance-Mix)
A2           Round 2 (Tribal Ghost RMZ)
B1           Round 3 (Tracid Posse RMZ)
B2           Round 4 (Jim Clarke RMZ)

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Drexciya – Deep Sea Dweller – 1992 [Shockwave Rec.]

Everyone’s favourite 90’s electro heroes, Drexciya, starts out their debut just as uncompromising as their release “Balance Of Terror EP”on Robert Hood’s label Hardwax under the name L.A.M.. It’s obvious that this record was recorded during the same studio sessions as the L.A.M. one. It’s hard electro techno on the two initial tracks that shouldn’t be played for people with a faint of heart. The energy and drama is very thick and you’ll struggle to dare take a breath. It’s brutal, industrial and very nice.

When turning to the other side we’re welcomed by soothing warm electronic electro funk with a moody detroitish feel. “Depressurization” is a correct titling of a track after listening to the two very intense tracks.
Bleepy noises and beautiful strings greets us in “Sea Snake”

The legendary producers, James Stinson and Gerald Donald, recorded this record as the first one under the name “Drexciya”. Little did they know what authority they would later become in the music developments during the rise of the new electro scene in the nineties.

As an extra bonus for the Drexciya fans, here’s a scanned image of a marketing fax from 1992 that was sent out from the submerge HQ, which I saved.

I think this is the first time ever this marketing fax has been on any web page so consider yourself a bit exclusively lucky.

Buy a vinyl copy of this release by clicking HERE

Drexciya – Deep Sea Dweller <—-click here for audio

No Password

A1           Sea Quake
A2           Nautilus 12
B1           Depressurization
B2           Sea Snake

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N.R.G. – The Terminator – 1991 [Chill]

For a while in 1991 I used to like this record a lot. I know, it’s a bit silly but still very charming. The bleeps, the melodic bass chords and the heavy funky breakbeats are so great together. I think this is the first time I heard those hard brekbeats used. In a previous post here on the blog, on the Atomu Shinzu – Heredia EP post, one of the tracks included make good use of that particular breakbeat. Oh, yes. There’s also sampled breaths from Kraftwerk’s “Tour De France” as well.
The b-side is totally cutting and pasting samples and breaks. It’s a nice track but nothing special.
It’s the a-side you shoudl go for on this release. It’s still great.

Buy a vinyl copy of this release by clicking HERE

N.R.G. – The Terminator <—-click here for audio

No Password

A           The Terminator
B           N.R.G. In The House

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Often, many posts are published simultaneously.